Film Nostalgia

If you’re nostalgic for the days of film read the comments on Why not scanned film? by Mike Johnston. Plenty of people are still shooting film, developing it and scanning it in and doing it well. Film has some advantages over digital in capturing certain aspects of light, but so does digital. I can’t remember what those are, but I think film is better at recording highlights than digital, while digital, well, I don’t recall. It all has to do with exposure curves or something!

I went from a point and shoot film camera to the relative freedom of a digital compact camera and never looked back. I can certainly understand why people love the feel of negatives and chemicals and a process but I can’t see the point of it. Why do you shoot film and scan it in? Why not shoot digital and skip the tedium of scanning? The comments on Mike’s article have several varied and very good answers.

The recently held National Shield competition brought out a huge number of high quality entrants and at least some of that talent has been facilitated by the rise of digital capture. The barrier to entry has fallen and the world changed.

Ade: Buggrit. Maybe my highlights are blocked to hell and the process is tedious as owt and I’m wasting good shooting time that could be spent filling the card on my DSLR before wrestling with monochrome conversions in Bibble. I’m never going to use or care about a traditional darkroom and I don’t yet prefer digitally-captured B&W. So what, I like my inkjet prints from scanned negs. I just need another four hours in the day.

Later… if you must use a scanner, or are in the market for one, then the advice here may be of use to you.

Look through the bars at Alcatraz

Looking down a closed off corridor or street in Alcatraz Prison, San Francisco. I watched a few minutes of “Escape From Alcatraz” last night and recognised a few locations – the canteen of course, and the ventilation shafts behind the cells are visible to anyone who looks.

I wonder how many feet plodded down this street and who was incarcerated there.

Thanks for the comments on my posts too, it’s encouragement to keep posting so if you feel like adding your two cents don’t be shy!

Aperture ƒ/4
Camera Canon EOS 20D
Focal length 10mm
ISO 200
Shutter speed 1/13s

The real prisoners of Alcatraz

Prisoners of Alcatraz mill about in a daze.

The special headsets they wear are mind controlling devices that cause people to stare listlessly into space. They control the actions of people, causing them to walk around the prison, peering into cells and to gaze at features of the streets.

I’ve felt the power of these devices myself and they’re seductive. A gravelly voice telling me to go to a particular cell, or along a corridor. Thankfully an official collected the device off each person at a certain point and we woke up and walked out into the sunshine with happy smiles on our faces.

Aperture ƒ/4
Camera Canon EOS 20D
Focal length 10mm
ISO 200
Shutter speed 1/30s

The streets of San Francisco

San Francisco is rightly famous for it’s hills and steep slopes. The city streets go up and down and, and no matter what the gradient, cars will always be parked at the side of the street. Local bylaws state that a parked car on a slope must have the front wheels pointed towards the sidewalk so the car won’t roll if the handbrake fails. As you can see, not everyone obeys that particular piece of legislation!

I can’t remember what building this was, but I was struck by the sheer lines of it, and the grey gloomy and despondent colour. There are no entrances visible and the building seems to grow out of the hillside as if mocking the gradient of the land by standing tall and straight.

PS. Happy Thanksgiving! It’s a normal working day around the rest of the world but the Internet is much quieter now that US visitors are off work, relaxing and enjoying the day!

Aperture ƒ/6.3
Camera Canon EOS 20D
Focal length 10mm
ISO 200
Shutter speed 1/80s

Temporary Dwelling Prohibited

A Cork County Council warning sign looms overhead at Garretstown Beach, Co. Cork. Luckily I had left the caravan at home and the rubbish was in the bin!

This photo shows one of the disadvantages of shooting in Jpeg – it can’t cope with the subtle shades of blue in the sky, although the ugly bands of colour are made worse by my vignetting of the image afterwards. Oops.

In other news, I ordered Bibble Labs Pro RAW conversion version using a discount code on The Digital Photography Show. The nice thing is, I can use the Pro edition on Linux and the Mac, which will be useful. It’s also a great piece of software and will encourage me to shoot more RAW images.

I also ordered the Canon 50mm f1.8 lens from warehouseexpress.com (via) who were reasonably priced. Hopefully I’ll get that in the next few days and in time to shoot the IT@Cork conference in a week’s time. Eddie Hobbs and various people from the online world will be speaking there and I hope to get some goot shots.

Aperture ƒ/11
Camera Canon EOS 20D
Focal length 10mm
ISO 100
Shutter speed 1/320s

Seaside Bubbles

Bubbles in the incoming tide break on the sandy beach at Garretstown about a month ago.

I turned this black and white because I love the abstract feel to the bubbles and it makes the grain of the sand beneath more visible. I had to jump up to avoid getting splashed moments later but such are the risks one takes for one’s art!

Aperture ƒ/11
Camera Canon EOS 20D
Focal length 200mm
ISO 100
Shutter speed 1/800s

Carefree on the beach

Shoes off wandering along the beach, the glow of a setting sun and nothing to do but enjoy the moment.

Taken in Garretstown last month on a warm Autumn day.

Aperture ƒ/11
Camera Canon EOS 20D
Focal length 179mm
ISO 100
Shutter speed 1/2000s

Nikon D40 tips the scales in Canon vs Nikon fight

nikon_d40.jpg The recently announced Nikon D40 could be the camera that wins over the hearts and minds of a whole new generation of DSLR owners and it’s being released right before the Christmas buying season.

Why? For two reasons, price and brand. There are a number of digital SLR cameras in the sub $500 range; the Pentax K100D and Olympus E300 among them but the Nikon brand of digital cameras is better known. Canon don’t have any current camera to compete at this price range, yet.

What camera will parents buy their offspring this Christmas? The more expensive Canon 400D or the Nikon D40? I think it’s a no-brainer which camera they’ll buy. The Nikon is the perfect “starter camera” for junior. It’s relatively cheap, looks professionally black, makes the click sound when you take a photo like “real cameras” do and you can use other Nikon lenses. What is there not to like?

Well, the Nikon D40 is great but for the price there have been compromises made. The DP Review preview of the camera compares it favourably to the Nikon D50, emphasising the extra features the cheaper camera has. The biggest drawback is an issue with lenses. It can’t auto-focus with traditional Nikon lenses because it doesn’t have an internal focus drive motor. This is arguably worse than the Canon limitation on EF-S lenses. At least Canon EF-S cameras can take advantage of proper Canon lenses.

Perhaps the biggest negative on the D40 is that it doesn’t have an internal focus drive motor and hence no mechanical focus drive pin, instead it only has CPU contacts which means it can only Auto Focus with AF-S and AF-I lenses (those with built-in focus motors). Indeed our ‘standard’ lens the Nikkor 50 mm F1.8D (and the F1.4D) are manual focus only on the D40. The images below show the difference between the mount on the D40 and D80, the D80 has a mechanical focus drive pin at about the 7 o’clock position.

Canon need a sub-$500 DSLR to compete. Once you’re hooked on a brand of camera it’s much easier to stick with that brand. The controls will be familiar, you can use the same lenses, you visit the same online discussion boards.

Personally, I think it’s great that DSLR technology is so cheap. It’s not that long ago that the only digital SLR was priced beyond the budgets of anyone but the professionals. Isn’t Moore’s Law great?

Ken Rockwell has a great review of the Nikon D40. I think he likes it:

First impressions are:

Super-duper light weight = too much fun!

The gulls of Alcatraz

Yet another curious seagull on the island of Alcatraz in San Francisco. I think he has a stern, angry look on his face, probably because I disturbed him by waving a camera in his face!

Aperture ƒ/14
Camera Canon EOS 20D
Focal length 20mm
ISO 200
Shutter speed 1/200s

Glistening Blackberries

Blackberries glisten in the bright sun of an August afternoon in Co. Cork.

I love blackberry jam, blackberry tarts, blackberry crumble. I don’t like picking the fruit, but I have many childhood memories of wandering country lanes with my family looking for the best fruit for my mother to make delicious jam.
Nowadays, you can buy a carton of blackberries in M&S cheaply. Oh how times have moved on.

Aperture ƒ/7.1
Camera Canon EOS 20D
Focal length 200mm
ISO 200
Shutter speed 1/250s

Wait to cross

Please wait until the green man shows before crossing the street.

I love the shadows on the ground cast by the sun! Shot on St. Patrick’s Bridge, Cork.

Aperture ƒ/9
Camera Canon EOS 20D
Focal length 10mm
ISO 200
Shutter speed 1/200s

Checking the prisoner

“I’m so tired. They’ve had me locked up here for years. I’m in solitary confinement for my sins. I was set up I tell you! It wasn’t me!”

A tourist looks in on a cell in Alcatraz in the solitary confinement wing. Luckily I was able to walk out immediately. Not a pleasant place.
Besides the main subject of this image, it’s the small details I like. That barely noticed feather on the far right grabs me by the shoulders and screams, “you don’t know the half of what I’ve seen!”

Aperture ƒ/5.6
Camera Canon EOS 20D
Focal length 20mm
ISO 200
Shutter speed 1s