Marc Canter speaking at the 2006 it@cork National Technology & Business Conference.
| Aperture | ƒ/5.6 |
| Camera | Canon EOS 20D |
| Focal length | 300mm |
| ISO | 200 |
| Shutter speed | 1/160s |
Matthias Kill
Matthias Kill speaking at the 2006 it@cork National Technology & Business Conference.
| Aperture | ƒ/5.6 |
| Camera | Canon EOS 20D |
| Focal length | 300mm |
| ISO | 400 |
| Shutter speed | 1/160s |
Jeff Nolan
Jeff Nolan speaking at the 2006 it@cork National Technology & Business Conference.
| Aperture | ƒ/5.6 |
| Camera | Canon EOS 20D |
| Focal length | 300mm |
| ISO | 200 |
| Shutter speed | 1/60s |
Jacques-Etienne Grandjean
Jacques-Etienne Grandjean speaking at the 2006 it@cork National Technology & Business Conference.
Tom Raftery blogged about his talk and while he’s right that no search competitors of Microsoft were mentioned, he did say that search isn’t very sticky. I’m sure he’s hoping that people will abandon Google and jump on board MS Live.
| Aperture | ƒ/5.6 |
| Camera | Canon EOS 20D |
| Focal length | 300mm |
| ISO | 200 |
| Shutter speed | 1/60s |
Eddie Hobbs, Conor Kenny and Hugh MacLeod
Eddie Hobbs, Conor Kenny and Hugh MacLeod speaking at the 2006 it@cork National Technology & Business Conference.
Tom Raftery covers Eddie Hobbs’ talk on property, energy and investment.
| Aperture | ƒ/4.5 |
| Camera | Canon EOS 20D |
| Focal length | 75mm |
| ISO | 200 |
| Shutter speed | 1/60s |
Yellow Boxes
Yellow boxes on the junction of Bridge Street and Patrick’s Bridge in Cork. It’s illegal to enter a yellow box if you can’t exit as has happened with a few cars here.
This image was entered in the Patterns Around Us competition along with my Autumn Leaf but this was my favourite one because of the strong colours and unusual contrasting effect.
How I did this: take an ordinary photo and clean it up, fixing levels and all the usual things. Duplicate layer, then play around with the top layer and the curves tool, creating a curve with two waves. You’ll see unusual rainbow hues and the colours will be distorted in other ways too. Now, change the mode of the layer. Each mode will make the image look different, but I settled on “Grain Merge” for the final effect here.
PS. the Blogger’s Dinner last night was most excellent. Luigi’s staff did an outstanding job at creating a tasty meal!
| Aperture | ƒ/4 |
| Camera | Canon EOS 20D |
| Focal length | 10mm |
| ISO | 200 |
| Shutter speed | 1/400s |
An Autumn Leaf
I love the colours of nature at this time of year. The browns and yellows of falling vegetation make for a soft rich carpet of leaves that is pleasing to the eye. Unless of course it’s your job to clean them up, or after it rains!
This photo came third in the Mallow Camera Club Patterns Around Us competition, novice digital section. I took notes about the other winners but I don’t know how accurate they are. Congrats to David Lavery for all his winning images!
| Aperture | ƒ/6.3 |
| Camera | Canon EOS 20D |
| Focal length | 10mm |
| ISO | 200 |
| Shutter speed | 1/80s |
Looming over the building site
A tall crane looms over the building site of The Elysian, a new high-rise building that will house offices, apartments, a shopping center and underground parking. The main tower of the new building will be 17 storeys high, taller than anything else in the city.
Over a year ago I took a photo of the building site as it was then for the US Book. As you can see, they’ve dug the foundations and started on the main tower.
This picture was taken from the top of a 4 storey car park which gives you some idea of how tall that crane is!
| Aperture | ƒ/10 |
| Camera | Canon EOS 20D |
| Focal length | 10mm |
| ISO | 200 |
| Shutter speed | 1/250s |
O’Flynn’s Butchers on Marlboro Street
O’Flynn’s Butchers on Marlboro St. Cork is a very popular butchers serving high quality meat with a friendly smile. We rang in our order early because we knew the place would be bare by the time we go in!
Here are the staff posing for my camera, there’s a huge collection of photos on the wall so I’m not the first, or probably the last to wander in with a camera. In fact Brian O Reilly created a 360 degree wrap around image using Apple’s Quicktime engine.
Thanks for the extra comments yesterday! The encouragement is always appreciated!
I like this: 25 years of the Brown Sisters.
| Aperture | ƒ/4 |
| Camera | Canon EOS 20D |
| Focal length | 10mm |
| ISO | 800 |
| Shutter speed | 1/40s |
Film Nostalgia
If you’re nostalgic for the days of film read the comments on Why not scanned film? by Mike Johnston. Plenty of people are still shooting film, developing it and scanning it in and doing it well. Film has some advantages over digital in capturing certain aspects of light, but so does digital. I can’t remember what those are, but I think film is better at recording highlights than digital, while digital, well, I don’t recall. It all has to do with exposure curves or something!
I went from a point and shoot film camera to the relative freedom of a digital compact camera and never looked back. I can certainly understand why people love the feel of negatives and chemicals and a process but I can’t see the point of it. Why do you shoot film and scan it in? Why not shoot digital and skip the tedium of scanning? The comments on Mike’s article have several varied and very good answers.
The recently held National Shield competition brought out a huge number of high quality entrants and at least some of that talent has been facilitated by the rise of digital capture. The barrier to entry has fallen and the world changed.
Ade: Buggrit. Maybe my highlights are blocked to hell and the process is tedious as owt and I’m wasting good shooting time that could be spent filling the card on my DSLR before wrestling with monochrome conversions in Bibble. I’m never going to use or care about a traditional darkroom and I don’t yet prefer digitally-captured B&W. So what, I like my inkjet prints from scanned negs. I just need another four hours in the day.
Later… if you must use a scanner, or are in the market for one, then the advice here may be of use to you.
Look through the bars at Alcatraz
Looking down a closed off corridor or street in Alcatraz Prison, San Francisco. I watched a few minutes of “Escape From Alcatraz” last night and recognised a few locations – the canteen of course, and the ventilation shafts behind the cells are visible to anyone who looks.
I wonder how many feet plodded down this street and who was incarcerated there.
Thanks for the comments on my posts too, it’s encouragement to keep posting so if you feel like adding your two cents don’t be shy!
| Aperture | ƒ/4 |
| Camera | Canon EOS 20D |
| Focal length | 10mm |
| ISO | 200 |
| Shutter speed | 1/13s |
The real prisoners of Alcatraz
Prisoners of Alcatraz mill about in a daze.
The special headsets they wear are mind controlling devices that cause people to stare listlessly into space. They control the actions of people, causing them to walk around the prison, peering into cells and to gaze at features of the streets.
I’ve felt the power of these devices myself and they’re seductive. A gravelly voice telling me to go to a particular cell, or along a corridor. Thankfully an official collected the device off each person at a certain point and we woke up and walked out into the sunshine with happy smiles on our faces.
| Aperture | ƒ/4 |
| Camera | Canon EOS 20D |
| Focal length | 10mm |
| ISO | 200 |
| Shutter speed | 1/30s |