A lonely staircase on Alcatraz is off-limtis to tourists but not to the eye of my camera.
Aperture | ƒ/8 |
Camera | Canon EOS 20D |
Focal length | 10mm |
ISO | 100 |
Shutter speed | 1/125s |
I was there too
A lonely staircase on Alcatraz is off-limtis to tourists but not to the eye of my camera.
Aperture | ƒ/8 |
Camera | Canon EOS 20D |
Focal length | 10mm |
ISO | 100 |
Shutter speed | 1/125s |
Visitors to Alcatraz Island walk about on the broad path up to the main prison building.
Some of the buildings on the island are in a bad state of repair, lacking everything but the brick walls that stand like a whitewashed skeletons. This building is about halfway up the hill and in much better condition.
Aperture | ƒ/8 |
Camera | Canon EOS 20D |
Focal length | 10mm |
ISO | 100 |
Shutter speed | 1/125s |
The prison tower and buildings of Alcatraz provide a stark welcome for visitors to the former penitentiary.
Despite my close investigation, the tower in this picture was off limits. Pity, because I bet there’d be a great view from up there!
Aperture | ƒ/11 |
Camera | Canon EOS 20D |
Focal length | 10mm |
ISO | 200 |
Shutter speed | 1/320s |
The tide is out in Cobh, Co. Cork while the sun sets in the west casting an orange glow over the water and boats in the harbour.
Method
This required some work to expose properly. The sky is bright while the harbour, houses and landscape are in shadow. Out with the layers, top layer for the sky was darkened and the opposite was done for the ground.
Then it’s the simple task of adding a layer mask to the top layer and rubbing out the dark bits to expose the brightened landscape.
When using a layer mask, never paint with an opacity of 100%, try 30% or even 5%. Don’t be afraid to do a rough job of exposing the bottom layer because with a layer mask you can always reverse the procedure by swapping the colour of your brush with an opposite colour!
Thank you all for the comments on yesterday’s post, The Lonely Swan, it’s great to get feedback and I’m glad when people get something out of my methods when I describe them. See what you’ve done? I did it again!
Aperture | ƒ/4 |
Camera | Canon EOS 20D |
Focal length | 10mm |
ISO | 200 |
Shutter speed | 1/20s |
A solitary swan swims on the calm waters of The Lough as the sun disappears at the end of the day.
Believe it or not, this is a 10 second exposure that turned out much better than I could have hoped! I balanced my camera on the edge of the Lough, set it to Aperture priority mode at f/11, dialed the exposure down two stops, flipped up the camera flash and took the shot.
How does this work?
Hope that helps!
Aperture | ƒ/11 |
Camera | Canon EOS 20D |
Focal length | 10mm |
ISO | 200 |
Shutter speed | 10s |
The water is just underneath the pavement in this image made in Blarney last month.
What do the initials SV stand for? I don’t know, it’s too early on a Monday morning to figure that one out.
Aperture | ƒ/5 |
Camera | Canon EOS 20D |
Focal length | 10mm |
ISO | 200 |
Shutter speed | 1/50s |
Water flows through Doneraile Park on a cold November afternoon. Despite the late season, leaves still cling to the branches of nearby trees although they’ve turned golden-orange and make a beautiful covering on the ground.
I was quite surprised that the Wikipedia page for Doneraile didn’t mention Elizabeth Aldworth, one of only three female members of a regular Masonic Lodge. Doneraile has quite a claim to fame!
I’ll have to get a good shot of Doneraile Court next time I’m down there. The sun was setting behind the building on my last visit so an early trip is necessary. The house is also surrounded by fencing making access impossible but hopefully those repair works will be completed soon!
Aperture | ƒ/4 |
Camera | Canon EOS 20D |
Focal length | 10mm |
ISO | 200 |
Shutter speed | 1/6s |
Two teenagers watch a seagull on the way back from Alcatraz Island in San Francisco. The US flag flutters in the same breeze that keeps the gull aloft, who no doubt is hoping for food from the boat full of tourists.
I’m going to be shooting at a fund raising night for Cope Foundation tonight. It’s an Eighties Night in the Ambassador Hotel here in Cork. It starts at 9:30pm, tickets are €12.50 on the door, and there’ll be spot prizes throughout the night! All are welcome, especially if you can get out your 80’s gear again. Time for big hair, leg warmers and shoulder pads?
If you’re there, watch out for me and say hi!
Aperture | ƒ/16 |
Camera | Canon EOS 20D |
Focal length | 20mm |
ISO | 200 |
Shutter speed | 1/320s |
Water drops from a railing in Cobh after a particularly heavy rain early in the day. That day’s shooting in Cobh was quite successful and by the evening there was a beautiful glow from the setting sun.
I took these firework photos from a spot on the right of this image.
Aperture | ƒ/7.1 |
Camera | Canon EOS 20D |
Focal length | 20mm |
ISO | 200 |
Shutter speed | 1/50s |
Could these be the paint and artwork of Doc, a character in the film Escape from Alcatraz starring Clint Eastwood?
This was only one of a number of cells with personal belongings in them.
Aperture | ƒ/4 |
Camera | Canon EOS 20D |
Focal length | 10mm |
ISO | 200 |
Shutter speed | 1/13s |
Tourists on a tram in Chinatown, San Francisco. I got lots of smiles and waves from the passengers when they saw my camera pointed at them!
Aperture | ƒ/9 |
Camera | Canon EOS 20D |
Focal length | 10mm |
ISO | 200 |
Shutter speed | 1/160s |
A couch rests against a pole on a street junction in San Francisco. That’s a novel way of getting rid of unwanted furniture but I wonder who’ll pick it up? For all I know, it could still be there with a family of squirrels living in it.
The same happens everywhere. Here in Ireland bed frames, mattresses and other other furniture can sometimes be seen dumped by the side of the road, usually in the country away from the watchful eyes of the authorities.
John Harrington posts about cuts among staff photographers at major US publications. Not a good time to be working in the “old world media” in some places.
Aperture | ƒ/8 |
Camera | Canon EOS 20D |
Focal length | 10mm |
ISO | 100 |
Shutter speed | 1/200s |