St Davids Cathedral, St Davids, Pembrokeshire, Wales.
Aperture | ƒ/8 |
Camera | Canon EOS 6D |
Focal length | 17mm |
ISO | 250 |
Shutter speed | 1/40s |
St Davids Cathedral, St Davids, Pembrokeshire, Wales.
Aperture | ƒ/8 |
Camera | Canon EOS 6D |
Focal length | 17mm |
ISO | 250 |
Shutter speed | 1/40s |
Passing cars in the night.
Aperture | ƒ/14 |
Camera | Canon EOS 6D |
Focal length | 17mm |
ISO | 100 |
Shutter speed | 25s |
The famous red double decker busses of London passed by as I took this photo of a building and advertising display back in 2008.
Aperture | ƒ/3.5 |
Camera | Canon EOS 40D |
Focal length | 18mm |
ISO | 400 |
Shutter speed | 1/60s |
The lights of Coburg Street and passing cars in a long exposure shot of the street from the traffic lights at the junction with Bridge Street.
This was a 15 second exposure at f/22. The lovely star shape of the street lights is because the opening in the lens was so small (at f/22) and the diaphragms of my lens. It takes a long time to get the exposure but it’s worth it!
This appears to be a beautiful example of Fraunhofer diffraction. It is due to the wave nature of light. The effect depends on the wavelength (that is, the color). It is most pronounced when bright light from a practically infinite distance passes through narrow slits, causing the light to spread perpendicular to the slits. This spreads a point-like beam of light into a pair of streaks.
Using a small aperture creates slit-like situations at the corners formed by adjacent blades. Thus, when you have a combination of relatively intense, pointlike, monochromatic light sources in the image and a narrow aperture, you should see a streak (of the same color) emanating from the points in two directions perpendicular to the blades…
…Finally, length of exposure is related to the occurrence of this effect, as you have observed, but only because exposures with bright points of light are almost always made much longer than needed to record the lights: you’re trying to see the rest of the scene, which is much darker. The brightness of the diffraction streaks decreases so rapidly away from their sources that if you used a sufficiently short exposure to properly expose the lights themselves, the streaks would be practically invisible.
Aperture | ƒ/22 |
Camera | Canon EOS 6D |
Focal length | 19mm |
ISO | 100 |
Shutter speed | 15s |
As you may have already guessed, that’s not the dawn. It’s the lights of Cork City (and Blarney) shining and into the sky in a long exposure shot I made last August.
I had meant to mention this sooner but 2 weeks ago I was shocked to hear about the death of Debbie Metrustry (@debbiemet), a wonderful person I had the pleasure of conversing with by tweet and by email over the course of the last year or so. She even won a print on this blog last year, but between this and that I never got around to sending it to her. I hope I can get in touch with her family at some stage and offer it to them instead.
Debbie’s blog on WordPress.com is still there and will be as long as the service is there (which is forever, right?), I’ve seen to that.
If you knew Debbie you might like to read the reaction from other people who knew her.
RIP Debbie.
Aperture | ƒ/4 |
Camera | Canon EOS 40D |
Focal length | 10mm |
ISO | 100 |
Shutter speed | 384s |
A bird atop the light outside my house calls into the glowing evening sky heralding the end of 2007.
After walking Oscar I had to grab my camera and shoot the beautiful evening sky. The background was this colour, there’s no trickery here except a little vignetting and sharpening.
Aperture | ƒ/6.3 |
Camera | Canon EOS 20D |
Focal length | 125mm |
ISO | 100 |
Shutter speed | 1/125s |
Shadows from the broken clouds above play over the landscape on Slea Head in Co. Kerry. Every moment was a different photo until the rain eventually caught up with us!
Aperture | ƒ/8 |
Camera | Canon EOS 20D |
Focal length | 18mm |
ISO | 100 |
Shutter speed | 1/160s |
A pedestrian traffic light on St. Patrick’s Street, Cork. The green man is strutting his stuff and people are walking across.
Does anyone else have a dislike for the design of this button? Sure, there’s a big arrow pointing to a large white dot, but it took several years for people to realise that they press the white button instead of the light at the bottom of the unit. The problem is that people are used to pressing a physical button, something that sticks out and can be pushed in. The white dot is flush with the surface of the unit, and people go to press the only thing that looks vaguelly button-like, the light. I still see people do it, and yes, this is one of my pet peeves, thanks for reading!
Aperture | ƒ/4 |
Camera | Canon EOS 20D |
Focal length | 10mm |
ISO | 100 |
Shutter speed | 1/640s |
Traffic lights and street lighting vie for attention. This is across the road from where Bord Gais used to have their showroom. Bet you never realised the titanic struggle for recognition that was going on?
Aperture | ƒ/13 |
Camera | Canon EOS 20D |
Focal length | 10mm |
ISO | 200 |
Shutter speed | 1/320s |