Last night Blarney Photography Club travelled to Owenahincha Beach to do some seascapes. We hoped to do some Milky Way photography later in the evening too but cloud cover got thicker and after some socialising in the nearby Celtic Ross Hotel we went home.
Dunquin Harbour is mostly photographed from the cliffs above because there is a narrow winding path that descends on a steep trajectory to sea level.
As I said previously in my photo of An Fear Marbh the sky was a monochrome grey but suddenly the clouds dispersed and some of the lovely light of the sunset leaked through. This is a bracketed shot I got from near sea level before rushing up the path to get a few more photos. 🙂
Dunquin Harbour served as the traditional departure point for boats traveling to the now-uninhabited Blasket Islands, with the last permanent residents leaving in 1953. The harbour’s dramatic location at the western tip of the Dingle Peninsula made it strategically important for accessing the islands, despite the challenging Atlantic conditions. The area is rich in Irish language and culture, being part of the Kerry Gaeltacht where Irish is still spoken as a community language. The distinctive rock formations visible in this photograph are part of the ancient geological structure of the Dingle Peninsula, composed primarily of Devonian sandstones and siltstones that were formed over 400 million years ago and shaped by countless Atlantic storms.
An old abandoned house on the Sheep’s Head Peninsula in Co. Cork. This isn’t the first time I’ve photographed it. In 2017 it looked much the same, but not quite as overgrown.
A groyne standing upright by the seashore near Youghal.
The wooden post in this photograph is part of Youghal’s coastal defence system called groynes. They are structures built perpendicular to the shore to prevent beach erosion by trapping sand moved by longshore drift. These timber groynes at Youghal are regularly maintained and replaced as part of ongoing coastal management efforts by Cork County Council. The long exposure technique used in this photograph typically requires exposure times of 30 seconds to several minutes, using neutral density filters to reduce the amount of light entering the camera, which creates the smooth, ethereal water effect by averaging out the motion of waves over time.
Aperture
ƒ/8
Camera
ILCE-7RM5
Focal length
39mm
ISO
100
Shutter speed
13s
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