The Dom Luís Bridge in Porto, Portugal last November.
The Dom Luís Bridge in Porto, Portugal last November.
Urban light intrudes on a long exposure shot of the night sky, but it was worth it. Got three Perseid meteors and the Milky Way.
On Thursday night I went out with my son to photograph Comet NEOWISE. This is a comet that was only discovered a few months ago on March 27 by NASA’s NEOWISE telescope.
Comet nuclei are cosmic snowballs of frozen gases, rock and dust that orbit the sun. They can range in size from a few miles to tens of miles wide, and the nucleus of NEOWISE measures about 3 miles across. When these comets approach the sun, their frozen bodies start to sublimate, and they spew dust and gasses in a tail that can span millions of miles.
Comet NEOWISE made its harrowing close approach to the sun, known as its perihelion, on July 3, and it is now zooming past the Earth on its way back out of the solar system. NEOWISE will make its closest approach (64 million miles) to Earth on July 22, but the best viewing window is happening right now until July 19.
There were a few clouds in the sky, but with the sun setting very late we went out around eleven thirty.
We didn’t have far to go, heading to a local field looking north where I knew the comet would be. The Stellarium mobile app helped me figure out where to look as it’s more north-west than simply north. Look towards where the sun is setting, or has set, and you’ll find it.
At first I took a wide angle photo of the sky as I couldn’t see the comet at all. Once my eyes grew accustomed to the dark I could just about see the comet if I didn’t look directly at it. I can imagine in darker skies it probably would have looked even brighter!
I took a few more photos of this scene but as the night sky got darker I realised I needed a point of interest to draw the eye in. The electricity pole in the field served that purpose well.
As the minutes ticked by I was reminded that focusing in the dark is extremely hard. I recalled that someone mentioned pre-focusing at infinity in daylight hours and marking the place on the lens. I remembered outings with my photography club where someone would shine a light on themselves to help focus. If I had a flashlight I would have gladly used it to focus on that pole. I have so many out of focus photos of that pole and the comet!
It was midnight and I promised my son I’d take “just a few more photos” before we headed off. I had no idea now if the pole was in focus. Zooming the lens adjusted the focus so I had to refocus. We tried shining the lights from our phones on the pole but it barely made a difference. The grass was long and wet with dew so I didn’t want either of us to go trudging through it to shine a light on it. I think I got reasonably lucky with the last shot!
The comet will be back in 6,800 years. I wonder if any of these photos will survive until then?
I’m glad you got to the end of the post. Here’s my top tips for capturing the meteor or just for taking photos of the sky at night:
At the bar of a hotel in Lanzarote, Canary Islands.
A few snapshots of Puerto Del Carmen in Lanzarote in the evening when the sun has set.
Mary Elmes was an an Irish aid worker who saved many Jewish children from being transported to concentration camps during World War II.
In 1942, the Vichy authorities made it clear that Jewish children were not legally allowed to be exempt from being sent to the concentration camps, as they had been. Elmes, with help from some colleagues, rescued dozens of children, taking them to safe houses or helping them flee the country altogether. Well aware that she was putting herself at risk, Elmes hid many children in the boot of her car and drove them to safe destinations. She aided many others by securing documents, which allowed for them to escape through the undercover network in Vichy France.
— Eoin English (@EoinBearla) September 27, 2019
See more on Twitter.
The People’s Regatta in Cobh ended with a spectacular fireworks display last night! I got there early and set up just below Cobh Cathedral. I could see that Kennedy Park was packed, the pier was too but there were only a few around the Cathedral. About five minutes before the fireworks were due to start the street quickly filled with onlookers!
Spike Island in Cork Harbour celebrated it’s 81st birthday yesterday with a fireworks display. 1300 fireworks were set off, one for each of the inmates who died on the island during it’s time as a prison over the centuries. I didn’t have a ticket for the event but it was visible from many parts of the Harbour, including Cobh where I gathered with members of Blarney Photography Club.
The evening was warm, and although the fireworks display was far away from Cobh it was enjoyed by everyone around.
It had been a while since I’d photographed fireworks so the tips in this video came in handy:
It turns out that shooting at f/8 or f/10 wasn’t the right aperture after all. It wasn’t letting in enough light in the time I wanted. The fireworks were so far away and the surrounding water and countryside so dark that images were very dark.
Before the event we tested settings trying to get an exposure of -2EV so the surrounding countryside was dark but it rapidly grew darker while the fireworks flew into the air so you had to keep an eye on the exposure every few shots!
My first shots of the night were much too dark. I was shooting in manual mode with a shutter release and I was only shooting short one to five second exposures. It wasn’t until I went over 7 seconds and up to 15 seconds that I got usable images.
In an urban environment and if the fireworks are closer you definitely should start at f/8, but you have to adjust your settings to your situation.
The first (out of focus) shot here is a 7 second exposure, f/7.1 at ISO 100, and that was good enough for a few minutes.
Only four minutes later I needed more light so I opened the aperture to f/5.6.
A few minutes later again I increased the ISO to 200 which has the effect of making the camera sensor more sensitive to light. That wasn’t enough and I increased the ISO to 400, with various exposure times for the last few images.
Shooting RAW and working in Lightroom or other RAW processor means you can push the photo more so exposure settings don’t have to be spot on every time. In Lightroom I found it useful to increase temperature of the photo to make it warm to counteract the blue hour light after the sun set. I increased the highlights a bit, took down whites and increased vibrance a small amount. Apart from cropping there wasn’t much else done to the images.
Disney Springs, Orlando, Florida. October 2018.
Glencolmcille, Donegal. August 2017.
|Camera||Canon EOS 6D|
Malaga, Spain. April 2019.