I was there too
The lighthouse on the island just off the coast by Ballycotton is always a nice subject for a photo. The night we were there, we hoped to photograph the moon rising behind the lighthouse but a large bank of cloud covered the horizon.
| Aperture | ƒ/8 |
| Camera | ILCE-7RM5 |
| Focal length | 124mm |
| ISO | 1600 |
| Shutter speed | 1/250s |
A series of photos showing men fishing off the pier at Ballycotton, Co Cork a couple of weeks ago. It was a beautiful evening. Lovely time to be there.
| Aperture | ƒ/8 |
| Camera | ILCE-7RM5 |
| Focal length | 24mm |
| ISO | 100 |
| Shutter speed | 1/320s |
There were 6 or 7 people fishing in Ballycotton. Most were standing on the pier, but these two had climbed up on the pier wall. Judging by the bag of fish they had, it was a good choice of location.
| Aperture | ƒ/8 |
| Camera | ILCE-7RM5 |
| Focal length | 24mm |
| ISO | 100 |
| Shutter speed | 1/160s |
These intimate details from a single fishing boat in Ballycotton harbour tell the story of Ireland’s working coastline better than any wide-angle vista could manage. Every weathered rope, rusty chain, and salt-stained life ring speaks to the daily reality of earning a living from the sea.
Ballycotton’s fishing fleet primarily targets lobster, crab, and various fish species in the rich waters off the East Cork coast. The heavy rope and chain equipment visible in these photographs is essential for handling fishing gear in the often rough conditions of the Celtic Sea. Modern Irish fishing boats like this one typically use a combination of traditional techniques and modern technology, with equipment that must meet strict safety regulations while remaining practical for daily use. The life rings and safety equipment visible are mandatory under Irish maritime law, and the weathered appearance of the boat’s equipment reflects the harsh marine environment that constantly tests both vessels and crew along Ireland’s Atlantic coast.
Videos I think you’ll learn from:
| Aperture | ƒ/8 |
| Camera | ILCE-7RM5 |
| Focal length | 24mm |
| ISO | 320 |
| Shutter speed | 1/60s |
The RNLI flag flies in Ballycotton Harbour.
The RNLI operates one of Ireland’s busiest lifeboat stations at Ballycotton, which launched 57 times in 2023 alone, rescuing 49 people and assisting 67 others. The station operates an all-weather lifeboat capable of handling the most challenging sea conditions off the Cork coast. Ballycotton RNLI has a proud history dating back to 1858, and the station’s crews have been awarded numerous medals for gallantry, including gold medals for particularly heroic rescues. The RNLI is a charity that relies entirely on voluntary donations and is crewed by unpaid volunteers who undergo extensive training to perform rescues in some of the most dangerous maritime conditions around the British and Irish coasts.
| Aperture | ƒ/8 |
| Camera | ILCE-7RM5 |
| Focal length | 110mm |
| ISO | 125 |
| Shutter speed | 1/250s |
The tide was very far out when we visited Ballycotton last week, so I wandered out on the rocks, carefully avoiding the slippery seaweed, and took a few photos.
| Aperture | ƒ/8 |
| Camera | ILCE-7RM5 |
| Focal length | 24mm |
| ISO | 320 |
| Shutter speed | 2.5s |
The golden hour at sunset is spectacular but I love the amazing colours you might be lucky to see after the sun has set. Such happened on Thursday night in Ballycotton. This is a panoramic photo of several photos stitched together to make one larger one. The dark, dramatic cloud was too wide for my lens, but even though it was dark, handheld panoramas are possible these days if you’re careful.
The phenomenon captured in this photograph occurs when the sun has set below the observer’s horizon but continues to illuminate high-altitude clouds from below, creating dramatic lighting effects known as “alpenglow” or “afterglow.” This effect is particularly pronounced in coastal areas like Ballycotton, where the unobstructed western horizon allows for clear sunset views, while high clouds moving in from the Atlantic provide the perfect canvas for these spectacular post-sunset displays. The pink and purple colours result from the way the atmosphere scatters different wavelengths of light, with longer wavelengths (reds and pinks) penetrating further through the atmosphere to reach the high clouds even after the sun has disappeared from view.
| Aperture | ƒ/8 |
| Camera | ILCE-7RM5 |
| Focal length | 24mm |
| ISO | 100 |
| Shutter speed | 1/13s |
Ballycotton Lighthouse as pictured from the end of the pier at the village of the same name last Thursday night. It was a lovely evening. Warm and with just enough clouds to make for a spectacular sunset.
The Moon was due to rise almost behind the island here, but a huge cloud bank covered the horizon, spoiling our chances of capturing that moment.
| Aperture | ƒ/8 |
| Camera | ILCE-7RM5 |
| Focal length | 24mm |
| ISO | 160 |
| Shutter speed | 1/60s |
It was a lovely evening in Ballycotton last Thursday, and a group of teenagers were making the most of it, jumping off the pier into the water and enjoying life.
| Aperture | ƒ/8 |
| Camera | ILCE-7RM5 |
| Focal length | 240mm |
| ISO | 100 |
| Shutter speed | 1/800s |
I was in Ballycotton last night on an outing with Blarney Photography Club. Our summer outings are a highlight of the year and always a nice social event for all involved.
When we got there, it was a nice evening, and I hoped there would be a nice sunset, and there was, but after the sun set, the sky lit up in a spectacular way. Fishermen were nearby, providing a nice silhouette for my photo.
We had hoped to photograph the Moon as it rose beyond the lighthouse there, but a thick band of cloud prevented us from seeing it until it was far off to the side. Maybe another day.
| Aperture | ƒ/8 |
| Camera | ILCE-7RM5 |
| Focal length | 27mm |
| ISO | 100 |
| Shutter speed | 1/10s |
