When there’s CCTV everywhere and you just want a little privacy to check your phone, you have to hide from the cameras.
Aperture | ƒ/6.3 |
Camera | ILCE-7RM5 |
Focal length | 160mm |
ISO | 1000 |
Shutter speed | 1/500s |
I was there too
When there’s CCTV everywhere and you just want a little privacy to check your phone, you have to hide from the cameras.
Aperture | ƒ/6.3 |
Camera | ILCE-7RM5 |
Focal length | 160mm |
ISO | 1000 |
Shutter speed | 1/500s |
When you can take the train, you should probably take it rather than flying.
Aperture | ƒ/4 |
Camera | ILCE-7M3 |
Focal length | 17mm |
ISO | 200 |
Shutter speed | 1/5s |
The lighthouse on the island just off the coast by Ballycotton is always a nice subject for a photo. The night we were there, we hoped to photograph the moon rising behind the lighthouse but a large bank of cloud covered the horizon.
Aperture | ƒ/8 |
Camera | ILCE-7RM5 |
Focal length | 124mm |
ISO | 1600 |
Shutter speed | 1/250s |
Someone was going to be cycling home after dark from here in Kinsale.
Aperture | ƒ/8 |
Camera | ILCE-7RM5 |
Focal length | 24mm |
ISO | 5000 |
Shutter speed | 1/125s |
An emergency exit sign spotted in the first floor window of a building in Kinsale, Co Cork. Despite the shadows, the sign gives a clue to the internal floor plan of the building. It looks a bit out of place, but it has to be there.
Georgian sash windows like this one were originally designed as a fire safety feature themselves. The large panes and sliding mechanism made them easy escape routes during emergencies, which is why many Georgian buildings have windows that open directly onto the street rather than requiring ladders to reach. The modern exit sign is actually continuing a 300-year-old tradition of prioritising safe evacuation!
Aperture | ƒ/6.3 |
Camera | ILCE-7RM5 |
Focal length | 132mm |
ISO | 4000 |
Shutter speed | 1/640s |
Cobh, a few minutes before fireworks lit up the sky last month.
Aperture | ƒ/6.3 |
Camera | ILCE-7RM5 |
Focal length | 105mm |
ISO | 800 |
Shutter speed | 10s |
On Dykegate Street in Dingle you’ll find a spectacular mural.
The mural was painted by artist, Ciara McKenna. You can find out more about it in this Irish Independent article.
Aperture | ƒ/4 |
Camera | ILCE-7RM5 |
Focal length | 24mm |
ISO | 100 |
Shutter speed | 1/500s |
A month ago, Cork City Council acquired 4 eyesore buildings at the top of North Main Street in Cork. They are in a prominent location and not used for much over the years – I remember a shoe store in one, a clothes store in the place next to it and a retro goods store too. They’ve been mostly derelict for a long time.
Hopefully they’ll be demolished and we’ll see something decent done with the location.
North Main Street sits on one of Cork’s oldest thoroughfares and was actually built on reclaimed marshland. The street runs parallel to what was once the original course of the River Lee before extensive land reclamation in the 18th and 19th centuries. Many of the Georgian buildings here were constructed using limestone quarried from local Cork quarries, which is why they’ve developed that distinctive weathered patina that photographs so beautifully in black and white.
Aperture | ƒ/8 |
Camera | ILCE-7RM5 |
Focal length | 24mm |
ISO | 12800 |
Shutter speed | 1/500s |
The Millennium Bridge has always been a bit of a drama queen – first it wobbled so much they had to shut it down, and now it’s serving up some of the most atmospheric shots in London.
This long exposure captures something almost supernatural about the daily pilgrimage across the Thames, with ghostly figures drifting like spirits between the sleek modernity of Norman Foster’s steel and glass creation and the timeless majesty of Wren’s baroque masterpiece. The blurred pedestrians become streams of human consciousness, each person’s journey reduced to ethereal wisps against the solid certainty of St. Paul’s dome.
The Millennium Bridge earned the nickname “Wobbly Bridge” because it swayed so dramatically when it first opened in 2000 that it had to be closed after just three days. The problem was “synchronous lateral excitation” – when large crowds walked in step, their footfalls created a resonance that made the bridge sway side to side by up to 7 centimetres, causing people to walk in sync to compensate, which only made the wobbling worse.
Photography videos I’ve watched recently:
Aperture | ƒ/8 |
Camera | ILCE-7RM5 |
Focal length | 41mm |
ISO | 100 |
Shutter speed | 5s |
Father Mathew Quay is a road that is definitely closed. The tarmac has been torn up to be remade into something better, hopefully.
Aperture | ƒ/8 |
Camera | ILCE-7RM5 |
Focal length | 25mm |
ISO | 1000 |
Shutter speed | 1/500s |
A striking blue wall on Dykegate Street caught my eye, especially in the bright sunlight that cast a stark shadow across it.
Dingle is located in the heart of the Kerry Gaeltacht, one of Ireland’s officially designated Irish-speaking regions where Irish is the community language. The bilingual street signs throughout the town reflect this status, with the Irish name “Sráid an Daighide” appearing first, followed by the English “Dykegate Street.” The tradition of painting houses in bright colours in Dingle dates back centuries and was originally practical – helping fishermen identify their homes from the sea. Today, these colourful buildings have become one of Dingle’s most distinctive features, with strict planning guidelines ensuring that the tradition continues while maintaining the town’s unique character.
Aperture | ƒ/4 |
Camera | ILCE-7RM5 |
Focal length | 24mm |
ISO | 100 |
Shutter speed | 1/2500s |