Donncha
Donncha
@donncha@inphotos.org

Donncha Ó Caoimh is a software developer at Automattic and WordPress plugin developer. He posts photos at In Photos and can also be found on Mastodon.

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  • When the Atlantic Catches Fire

    The cold at Cappagh Beach the morning I made this photo was the sort that makes you question every life choice that led you to a dark car park before dawn. The sunrise wasn’t that great but shortly before we left, the sun cracked through a gap in the cloud and turned the entire Atlantic…

  • The Invisible Shift

    A street cleaner with a bin bag in one hand, framed between a STOP sign and a no-right-turn sign. You couldn’t stage it better. I shot this from Drawbridge Street, watching the lunchtime crowd flow past him like water around a rock. What struck me was the contrast: dozens of people mid-stride, shopping or wandering…

  • Golden Hour at The Roundy

    Late afternoon sun hit Castle Street at just the right angle and turned the whole scene outside The Roundy into something cinematic. The outside area of the pub was packed with people drinking and enjoying the afternoon and soaking up the kind of Cork sunshine you never quite trust to last. The lens flare flooding…

  • Teenage Kicks Through a Tiny Screen

    A hand went up three rows ahead of me and suddenly I had my shot. The Undertones were tearing through their set at Cyprus Avenue in Cork, the stage lights throwing fat circles of purple and magenta across the room, and this person decided twenty seconds of shaky phone footage was worth the effort. It…

  • St. Finbarr’s Oratory at Dawn

    Nine exposures, three positions, and a lake disturbed by a biting wind. That’s what it took to stitch this panorama together at Gougane Barra just after dawn. The sky refused to cooperate with anything dramatic, so I leaned on the scene itself: the oratory sitting quietly on its spit of land, the water holding just…

  • Dawn Sentinel at Gougane Barra

    A bunch of us arrived in Gougane Barra this morning to photograph the sunrise, only to be met with driving rain and mist and fog on the hills. A biting wind tore through clothes making for a missed opportunity for all of us. Luckily, within a few minutes of arriving, a glow could be seen…

  • Watching the World Go By in Málaga

    A narrow side street off the tourist drag in Málaga. A man waiting, watching nothing in particular on a cool January afternoon. I got one frame off on the phone as I passed. No time to compose properly, no time to think about the empty chairs cluttering the left side of the shot. Just tap…

  • K67: A Relic of Slovenian Design in London

    It’s impossible to miss this kiosk. A bright yellow box parked outside Spitalfields Market, looking like it had been teleported in from a 1960s sci-fi film set. This is a K67 kiosk. It’s a modular street unit designed by Slovenian architect Saša Mächtig in 1966 and one of the most successful pieces of street furniture…

  • Iron Bones

    I nearly walked straight past it. You’re on the South Bank, dodging cyclists, and there’s this railway bridge overhead that most people treat as a ceiling to hurry under. But look up and the underside of Blackfriars Railway Bridge is a riot of riveted iron girders fanning out like the ribs of some enormous mechanical…

  • Two in the Market

    I caught this one from barely a metre away. It was close enough to count the grey in his beard, close enough that the glass roof of Spitalfields Market softened into geometry behind them. It was early in the morning and the market was still being set up. I wonder if they were tourists in…

  • Steel and Storm Over Bishopsgate

    We’d come out of the train station at Liverpool Street earlier in the morning but when I walked past here, I stopped dead on Bishopsgate, tilted the camera straight up, and watched three towers race each other into a sky that looked like it was about to pick a fight. The central building’s white steel…

  • Between the Columns on Threadneedle Street

    I’m not sure what was so engrossing on that phone but I suspect it was a review of images, especially outside the Bank of England in London and those enormous Portland stone columns. A perfect place for a dramatic photoshoot. Aperture ƒ/8 Camera ILCE-7RM5 Focal length 24mm ISO 100 Shutter speed 1/2000s