Archive for the 'Gimp Tutorials' Category


GIMP For Photographers: Levels

Monday, February 11th, 2008 by Donncha

GIMP Colors Many find using the GIMP or a daunting prospect but in fact those packages are quite easy to use once you’ve practiced a few times. This will be the first in an occasional series to help photographers use the to post process their .

The tool (right click on your image, select Colors, then ) is used to adjust the of the colours in your image by manipulating a histogram representing the image. In simple terms, you can make broad changes to the Red, Green, Blue and overall “Value” parts of your image.

The single most useful function of the tool is the “Auto” button. Click that button and the histogram will be stretched out. Your image should look better. If the lacked contrast, it can suddenly become a lot “punchier”!

Here’s an example which will make things clearer.

GIMP Levels before example

This is a nice I took in Galway in 2005 with a Sony 717. Unfortunately, there’s a nasty yellowish sheen to the image. I probably shot this with the white balance set to cloudy. That can give a pleasing golden look to images but it’s not always welcome. The image also lacks contrast and looks under exposed. How do I fix that?

GIMP Levels

Fire up the tool. Right click on the image, go to Colors, then . This is the histogram for the image above. See how it’s all bunched into the middle? Now, click on the “Auto” button.

GIMP Levels after example

Wow! One click did that? The image looks so much better now! The swans actually look white and it’s brighter and shiny!

GIMP Levels

I opened the tool again, just to see what effect “Auto” had on the histogram. Sure enough. It’s stretched from side to side.

Levels before and after
Before and After Auto

Wasn’t that easy?

Advanced Usage
You may have noticed the eyedropper buttons next to to the Auto button. Those are “Black”, “Grey” and “White” selectors. Click on one of those, your cursor will change to a eyedropper and then click on the corresponding colour in your image. They work pretty well, but can be confused. If it all goes wrong, just click the Reset button, or CTRL-z to undo if you’ve clicked OK.

You can also manipulate the histogram manually. Just drag the sliders left and right until your image looks ok. You can change the channel with the drop down at the top of the dialog. Changing individual channels does interesting “cross processing” things to an image.

External links:

  1. The Levels tool on gimp.org docs
  2. Levels Tool - white, black and grey to the rescue! - a tutorial I wrote about the tool back in 2004!

Want to know more? Leave a comment. I’d love to hear what you’d like to know and learn about the .

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Children at play

Wednesday, June 6th, 2007 by Donncha

A sign in , Co. warns motorists to watch out for kids playing on the road.

I’ve seen so many speed through built up areas these mean absolutely nothing to them.

Technique:
1. Original image was flat and plain. Background was monotonous so I ran it through auto- which brought out the colours.

2. Then I duplicated that layer and blurred it using Gaussian Blur with a radius of 25px (original image is 3504px wide). By adding a layer mask I was able to rub out some of the blurred layer to expose the sharp original below. Opacity was set to 41% to reduce the blur effect.

3. Finally an overlay layer was added and circular gradients drawn on with a low opacity. This darkens the and sign slightly in patches.

All manipulation done in the but will work just as well in or other application.

Was that useful? Want more?

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Adam and his baby soother

Saturday, May 26th, 2007 by Donncha

is 5 weeks old today! Last Wednesday we saw his first smile, or perhaps it was trapped wind because he was just after feeding but it was a beautiful sight to behold. He has smiled since too, and was especially cheerful this morning!

loves his though. He sucks on it like Maggie out of the Simpsons does. Non-stop and with feeling!
If a or dummy isn’t nearby and it’s available, a hair dryer works wonders for relaxing him. The sound soothes him and he can go from screaming the house down to docile and a gurgling in seconds when the hair dryer is switched on. It’s magic.

Technique: This is a high key created using two layers.
1. Original image is the bottom layer.
2. Duplicate that layer.
3. Convert top layer to b/w using channel mixer.
4. Apply Gaussian blur to the top layer. I used a 75 pixel wide blur.
5. Change mode of top layer to screen.
6. Add white layer mask to top layer and reveal eyes from original image by painting over them with a black brush. Use an opacity of 10%.
7. Merge layers and save. Layers should be separate when resizing so you can unsharp mask the bottom layer.

Hope that is of use!

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First Draft: Ready to go!

Tuesday, December 5th, 2006 by Donncha

John asked what did he original Ready to go! look like and I’ll oblige now. Showing what the original looks like is akin to showing what the of a written essay or post reads like. Sometimes the image comes out perfectly in the camera but that’s rarely the case. At the very least light have to be balanced and if resizing for publication online then the resized image has to be sharpened.

Hover over the image below to see what the original shot looked like. Hopefully this will work for RSS readers but if it doesn’t, visit the blog and leave your mark here!

Notice how I rotated the image? I had to reconstruct the bumper on the right of the , as well as filling in the gaps at the other corners of the . Tree branches and leaves are easy enough, as is the relatively solid black texture of the tar on the road, but the bumper was difficult, and the shaded area of the building on the left presented me with a few extra minutes of clicking to get right.

Want to see more “” posts? I can’t promise to do many, but if you have a compelling reason why you’d like to see the original of a I’ll do my best to help!


Hosted on Flickr

PS. Bryan - you might recognise the CSS. I took it from the button of doom you did! Hope you don’t mind!

PPS. Treasa has posted a tutorial of how she worked on two with steps in to get the desired effect. Nice!

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GIMP Tutorial Videos

Wednesday, June 21st, 2006 by Donncha

Jakub ‘’ Steiner has published several demos of the in action.
Subjects such as defining shortcuts, image templates, transformations and paths and more are covered. Use the mirrors, because I haven’t downloaded the myself yet!

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Simple steps to photo touch-up

Wednesday, October 19th, 2005 by Donncha

In this post I’m going to show you how to go post-process this image:

By the end, we’ll have an image that looks like this:

This tutorial was created using the , but it’s equally applicable to your favourite editing software as long as it has the same tools. , and other editing software should work equally well.
The steps described here are worth practising, and will apply equally well to any !

First of all, I came across this on Flickr through my contacts page. Here’s the original , and Ayhtnic kindly let me use her image.

After you load the image, the first thing to do is use Auto from the Layer->Colors menu. This tool alone does wonders for most , especially if they’ve been captured as Jpeg straight from the camera.

The image is a little noisy so let’s clean it up a bit. Use Selective Gaussian Blur from the Filters->Blur menu. Use small values as we just want to smudge the noise away without losing too much detail. A radius of 3, and delta of 10 worked fairly well here.

Let’s brighten it a bit and add contrast. Use the tool from Layers->Colors for this. The classic “S” shape always adds life to a .

Open the Layers dialog and duplicate the background layer.

Select the new layer (called “background copy” here) and use the tool again to brighten this layer a lot.

With the same layer selected (the top one, the “background copy”), we’ll apply some blur. Open up the Gaussian Blur tool, it’s in Filters->Blur. Apply a blur of 5 pixels to the top layer. Don’t worry, we’re not finished!

We’re going to change the “mode” of the top layer now. With the top layer selected, click on the drop down box that says “Normal” and scroll down to “Soft Light”. You can also try other modes, they’ll make for interesting !
Notice how the image suddenly changed?

Even with the nice glowing effect, the image looks indistinct. Let’s sharpen the bottom layer. Select that layer in the Layers dialog and load the “Unsharp Mask” filter. This is in Filters->Enhance->Unsharp Mask.
Don’t apply too much sharpening. Make it subtle. The settings in the screenshot work well.



All that’s left is to save the image, save it with a quality setting of 92%. Don’t bother with higher as it’s practically impossible to see any difference in quality.


The finished
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